I updated the original files so you can download them again.Leeming LUT Pro™ is the world's first unified, corrective Look Up Table ( LUT ) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading. I restricted the LUT to more reasonable values and here is the Velvia example of your original image: Since there were not any colors like that in the images that I used, the points were off. It is similar to the crazy coloring of the highlights in the original files that occur when Resolve tries to do a similar thing . One problem with these color matching techniques is that you don't sample adequately the whole space so some times interpolation can create spurious results. So it took me few hours but I ve managed to fix the most of the crazy colors. The first image is the 'pure' Rec709, the following images are the same image with your LUTs applied: #REC 709 LUT 1080P#I'm posting 50% scaled down jpeg screengrabs here, but could also send you 1080p 16bit TIFFs + the out-of-the camera DNG frame. Nevertheless, you see how the overexposed areas of the image create strange blue/green banding artifacts with your Fuji LUTs. Admittedly, they are extreme - because they just use a primitive color-chart based color conversion to Rec709, resulting in blown-out highlights (that I could have pulled back/recovered in Resolve). I find these LUTs more pleasing when applied to a less contrasty/colorful image giving a more subtle result than the Fuji. I wouldn't worry that much with that though since you would lose the ability to control the image (contrast/dynamic range/saturation). Then I can do the rec709Pana->rec709Fuji LUT, and when you apply the LUTs on the top of the page (which are actually doing the rec709Fuji->Fancy color) and then that should be much closer to the Fuji's color. To get exactly the same colors I would need the same image of a colorchecker with a Fuji and your LX100 with the profile that you use. The colors are going to be close but not exactly the same as the Fuji ones since each camera has a unique way of responding to colors. FLAT) you can create a LUT from it to look like a Fuji Provia?ĭeadcode these can be applied to any rec709 image, even with a natural profile. If i give you a dialed down clip from natural profile (aka. mp4's with different picture profile settings from Panasonic LX100. What do i have to give you to create a proper Fuji LUT? I have several records with colorchecker, few raw files, and lot of. I hope you enjoy them! Don't forget you can use them on images too with Photoshop. I only need two images from the two profiles with the same color information such as a colorchecker and of course neutral WB and same exposure. For example S-log/s-gammut to rec709, or slog to clog, rec709Sony to rec709Fuji etc. The good thing is that I can use the program that I wrote to compute any transformation that is needed. For this I used 4 sample images from dpreview and imaging resource. I can do a much better job if I find color samples that span most of the 3D space. Then I computed the three-dimensional affine transformation that can remap the default color space from adobe to any of the Fuji profiles. Long story short took advantage of the fact that Lightroom allows color profiles to be used with RAW files. Here is an example applied to a clip from A7rII: No Fuji camera necessary and no need to shoot with a baked-in profile! I did some quick reverse engineering of some of the Fuji profiles and created rec709 LUTs that can achieve similar results.
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